A composite image of a human face and a flower forms a unified sculptural structure in which the features of a mask dissolve into an organic shape. The petals and facial surface are interwoven, creating a continuous form without a clear boundary between anatomical and botanical elements.
The composition is defined by a restrained palette and a contrast of textures: the matte clay surface is set against glossy accents. Black drops and darkened petal edges establish a rhythmic pattern and enhance the graphic clarity of the form.
The sculpture is entirely hand-built from grey clay with a natural sandy texture. The edges of the petals and the drops are finished with black and grey effect glazes, emphasizing volume and the material surface.